{"id":302,"date":"2021-04-08T01:14:44","date_gmt":"2021-04-08T01:14:44","guid":{"rendered":"https:\/\/view.raulmourao.com\/?page_id=302"},"modified":"2026-06-17T20:53:53","modified_gmt":"2026-06-17T20:53:53","slug":"expo","status":"publish","type":"page","link":"https:\/\/www.raulmourao.com\/en\/expo\/","title":{"rendered":"EXHIBITIONS"},"content":{"rendered":"
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GABINETE DE CURIOSIDADES N\u00ba1<\/h1>\n\n\n\n

2026 \u2013 VILA VELHA, GALERIA GABINETE (PARQUE CASA DO GOVERNADOR)<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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CIRCUITO INFERIOR<\/h1>\n\n\n\n

2025 \u2013 FLORIAN\u00d3POLIS, CENTRO CULTURAL VERAS<\/h6>\n\n\n\n
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SIMPLES PRESENTE<\/h1>\n\n\n\n

2025 – SALVADOR, GALERIA LUGAR COMUM<\/h6>\n\n\n\n
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VOLUME VIVO<\/h1>\n\n\n\n

2024 – SALVADOR, ROBERTO ALBAN GALERIA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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CORTA FOGO<\/h1>\n\n\n\n

2024 – TRANCOSO, GALERIA HUGO FRAN\u00c7A<\/h6>\n\n\n\n
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LUGAR GEOM\u00c9TRICO<\/h1>\n\n\n\n

2023 – RIO DE JANEIRO, CASA FRAN\u00c7A BRASIL<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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ABRE O JOGO<\/h1>\n\n\n\n

2022 – RIO DE JANEIRO, LURIXS ARTE CONTEMPOR\u00c2NEA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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EVITE ACIDENTES<\/h1>\n\n\n\n

2022 – BELO HORIZONTE, ALBUQUERQUE CONTEMPOR\u00c2NEA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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O MENOR CARNAVAL DO MUNDO<\/h1>\n\n\n\n

2021 – SALVADOR, ROBERTO ALBAN GALERIA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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EMPTY HEAD<\/h1>\n\n\n\n

2021 – NEW YORK, GALERIA NARA ROESLER<\/h6>\n\n\n\n
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A ESCOLHA DO ARTISTA<\/h1>\n\n\n\n

2021 – RIO DE JANEIRO, INSTITUTO CASA ROBERTO MARINHO<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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VIVA REBEL<\/h1>\n\n\n\n

2021 – RIO DE JANEIRO, LEBLON<\/h6>\n\n\n\n
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SOBRE O P\u00caNALTI E OUTRAS JOGADAS<\/h1>\n\n\n\n

2019 – RIO DE JANEIRO, LURIXS ARTE CONTEMPOR\u00c2NEA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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EXPERIENZA LIVE CINEMA #4<\/h1>\n\n\n\n

2019 – RIO DE JANEIRO, STUDIO OM.ART<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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INTRODU\u00c7\u00c3O \u00c0 TEORIA
DOS OPOSTOS ABSOLUTOS<\/h1>\n\n\n\n

2019 – S\u00c3O PAULO, GALERIA NARA ROESLER<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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SETA BALAN\u00c7O JANELA<\/h1>\n\n\n\n

2018 – RIO DE JANEIRO, LURIXS ARTE CONTEMPOR\u00c2NEA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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FORA\/DENTRO<\/h1>\n\n\n\n

2018 – RIO DE JANEIRO, MUSEU DA REP\u00daBLICA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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BOXER<\/h1>\n\n\n\n

2018 – S\u00c3O PAULO, GALERIA CARBONO<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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IN MY OPINION<\/h1>\n\n\n\n

2017 – ZURICH, PLUTSCHOW GALLERY<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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EXPERIENZA LIVE CINEMA<\/h1>\n\n\n\n

2017 – NEW JERSEY, MANA CONTEMPORARY<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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VOC\u00ca EST\u00c1 AQUI<\/h1>\n\n\n\n

2016 – S\u00c3O PAULO, MUSEU BRASILEIRO DE ESCULTURA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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FENESTRA<\/h1>\n\n\n\n

2015 – RIO DE JANEIRO, LURIXS ARTE CONTEMPOR\u00c2NEA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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MOTO<\/h1>\n\n\n\n

2014 – S\u00c3O PAULO, GALERIA NARA ROESLER<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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MOVIMENTO REPOUSO<\/h1>\n\n\n\n

2013 – SALVADOR, ROBERTO ALBAN GALERIA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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TRA\u00c7\u00c3O ANIMAL<\/h1>\n\n\n\n

2012 – RIO DE JANEIRO, MUSEU DE ARTE MODERNA DO RIO DE JANEIRO<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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TOQUE DEVAGAR<\/h1>\n\n\n\n

2012 – RIO DE JANEIRO, PRA\u00c7A TIRADENTES<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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CUIDADO QUENTE<\/h1>\n\n\n\n

2010 – S\u00c3O PAULO, GALERIA NARA ROESLER<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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CH\u00c3O PAREDE GENTE<\/h1>\n\n\n\n

2010 – RIO DE JANEIRO, LURIXS ARTE CONTEMPOR\u00c2NEA<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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ENTONCES<\/h1>\n\n\n\n

2004 – S\u00c3O PAULO, INSTITUTO TOMIE OHTAKE<\/h6>\n\n\n\n
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SAIBA MAIS<\/a><\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"{\"coblocks-hero-313105553379\":{\"padding\":{}}}","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","inline_featured_image":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-302","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"Raul Mour\u00e3o","author_link":"https:\/\/www.raulmourao.com\/en\/author\/raulview\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages\/302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/comments?post=302"}],"version-history":[{"count":10,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages\/302\/revisions"}],"predecessor-version":[{"id":4066,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages\/302\/revisions\/4066"}],"wp:attachment":[{"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/media?parent=302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}