{"id":2753,"date":"2021-06-04T20:25:19","date_gmt":"2021-06-04T20:25:19","guid":{"rendered":"https:\/\/view.raulmourao.com\/?page_id=2753"},"modified":"2022-01-06T22:28:11","modified_gmt":"2022-01-06T22:28:11","slug":"cv","status":"publish","type":"page","link":"https:\/\/www.raulmourao.com\/en\/sobre\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"
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<\/td>Event<\/th>Title<\/th>Venue<\/th>City<\/th>Country<\/th>Curator<\/th>Obs<\/th>\n<\/tr>\n<\/thead>\n
2026<\/td>Individual<\/td>Gabinete de Curiosidades n\u00ba1 - Raul Mour\u00e3o<\/td>Galeria Gabinete - Parque Casa do Governador<\/td>Vila Velha<\/td>Brasil<\/td>Omar Salom\u00e3o<\/td><\/td>\n<\/tr>\n
2026<\/td>Collective<\/td>Rasura<\/td>Galeria Nara Roesler<\/td>Rio de Janeiro<\/td>Brasil<\/td>Victor Gorgulho<\/td><\/td>\n<\/tr>\n
2026<\/td>Collective<\/td>Carnavalizar: m\u00e9todo e inven\u00e7\u00e3o<\/td>Galeria Flexa<\/td>Rio de Janeiro<\/td>Brasil<\/td>Daniela Avellar<\/td><\/td>\n<\/tr>\n
2025<\/td>Individual<\/td>Simples Presente<\/td>Galeria Lugar Comum<\/td>Salvador<\/td>Brasil<\/td>N\/A<\/td><\/td>\n<\/tr>\n
2025<\/td>Individual<\/td>Circuito Inferior<\/td>Centro Cultural Veras<\/td>Florian\u00f3polis<\/td>Brasil<\/td>Josu\u00e9 Mattos<\/td><\/td>\n<\/tr>\n
2025<\/td>Collective<\/td>Coletiva de Ver\u00e3o<\/td>Kubik Gallery Comporta<\/td>Comporta<\/td>Portugal<\/td>Lu\u00eds Pinto Nunes<\/td><\/td>\n<\/tr>\n
2025<\/td>Collective<\/td>Sculptures au Palais Royal - Jos\u00e9 Bechara, Jos\u00e9 Resende et Raul Mour\u00e3o<\/td>Palais-Royal<\/td>Paris<\/td>France<\/td>Emilio Kalil<\/td><\/td>\n<\/tr>\n
2025<\/td>Collective<\/td>Canteiros<\/td>Galeria Cavalo<\/td>Rio de Janeiro<\/td>Brasil<\/td>Ana Holck<\/td><\/td>\n<\/tr>\n
2024<\/td>Collective<\/td>Essa cidade sempre maravilhosa<\/td>Galeria Nara Roesler<\/td>Rio de Janeiro<\/td>Brasil<\/td>Theo Monteiro<\/td><\/td>\n<\/tr>\n
2024<\/td>Collective<\/td>Qual \u00e9 o tema?<\/td>Galeria Mul.ti.plo<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2024<\/td>Individual<\/td>Volume Vivo<\/td>Roberto Alban Galeria de Arte<\/td>Salvador<\/td>Brasil<\/td>N\/A Pablo Le\u00f3n de la Barra (Texto)<\/td><\/td>\n<\/tr>\n
2024<\/td>Individual<\/td>Corta Fogo<\/td>Galeria Hugo Fran\u00e7a<\/td>Trancoso<\/td>Brasil<\/td>Evangelina Seiler<\/td><\/td>\n<\/tr>\n
2023<\/td>Art Intervention<\/td>Cage Head<\/td>Americas Society - Park Avenue <\/td>New york<\/td>USA<\/td>Aim\u00e9<\/td><\/td>\n<\/tr>\n
2023<\/td>Individual<\/td>Lugar Geom\u00e9trico<\/td>Casa Fran\u00e7a Brasil<\/td>Rio de Janeiro<\/td>Brasil<\/td>Marcus de Lontra Costa Rafael Fortes Peixoto<\/td><\/td>\n<\/tr>\n
2022<\/td>Individual<\/td>Open Up the Game<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td>Luisa Duarte (Texto)<\/td><\/td>\n<\/tr>\n
2023<\/td>Collective<\/td>Forrobod\u00f3 - 20 anos da Gentil Carioca<\/td>A Gentil Carioca<\/td>Rio de Janeiro<\/td>Brasil<\/td>Ulisses Carrilho<\/td><\/td>\n<\/tr>\n
2022<\/td>Collective<\/td>Arte \u00e9 Bom<\/td>MIS S\u00e3o Paulo<\/td>S\u00e3o Paulo<\/td>Brasil<\/td>Daniela Thomas e T\u00eara Queiroz<\/td><\/td>\n<\/tr>\n
2022<\/td>Collective<\/td>O Pequeno Colecionador (Parque de Brinquedos Reinventado)<\/td>Carbono Galeria<\/td>S\u00e3o Paulo<\/td>Brasil<\/td>Mariane Klettenhofer<\/td><\/td>\n<\/tr>\n
2022<\/td>Collective<\/td>Parada 7<\/td>Centro Municipal H\u00e9lio Oiticica<\/td>Rio de Janeiro<\/td>Brasil<\/td>C\u00e9sar Oiticica Filho<\/td><\/td>\n<\/tr>\n
2022<\/td>Collective<\/td>Campos de Energia: Fluxos Fractais<\/td>Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td>Luis P\u00e9rez-Oramas<\/td><\/td>\n<\/tr>\n
2022<\/td>Collective<\/td>Misturas<\/td>Galp\u00e3o Bela Mar\u00e9<\/td>Rio de Janeiro<\/td>Brasil<\/td>Clarissa Diniz<\/td><\/td>\n<\/tr>\n
2022<\/td>Collective<\/td>A Dobra no Horizonte<\/td>Galeria Nara Roesler<\/td>New York<\/td>USA<\/td>Marcos Chaves<\/td><\/td>\n<\/tr>\n
2022<\/td>Individual<\/td>Avoid Accidents<\/td>Galeria Celma Albuquerque<\/td>Belo Horizonte<\/td>Brasil<\/td>Eucana\u00e3 Ferraz<\/td><\/td>\n<\/tr>\n
2022<\/td>Collective<\/td>A Dobra no Horizonte<\/td>Galeria Nara Roesler<\/td>Rio de Janeiro<\/td>Brasil<\/td>Marcos Chaves<\/td><\/td>\n<\/tr>\n
2021<\/td>Collective<\/td>Ver-\u00c3o<\/td>Espa\u00e7o O\u00e1sis<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2021<\/td>Individual<\/td>O Menor Carnaval do Mundo<\/td>Roberto Alban Galeria de Arte<\/td>Salvador<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2021<\/td>Collective<\/td>A M\u00e1quina do Mundo<\/td>Pinacoteca de S\u00e3o Paulo<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2021<\/td>Individual<\/td>Empty Head<\/td>Galeria Nara Roesler<\/td>New York<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2021<\/td>Collective<\/td>Estado Bruto<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2020<\/td>Individual<\/td>Viva Rebel<\/td>Viva Projects e Gafisa<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2020<\/td>Collective<\/td>A Escolha do Artista<\/td>Instituto Casa Roberto Marinho<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2020<\/td>Collective<\/td>Rua<\/td>Museu de Arte do Rio<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2020<\/td>Collective<\/td>Casa Carioca<\/td>Museu de Arte do Rio<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2020<\/td>Collective<\/td>Na Espera: Produ\u00e7\u00e3o no Isolamento<\/td>Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2020<\/td>Collective<\/td>Ar Livre<\/td>Fazenda Boa Vista & Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2019<\/td>Individual<\/td>Sobre o P\u00eanalti e Outras Jogadas<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2019<\/td>Individual<\/td>An Introduction to the Theory of Absolute Opposites<\/td>Nara Roesler <\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2019<\/td>Collective<\/td>Experienza Live Cinema #4: Raul Mour\u00e3o + Cabelo<\/td>Studio OM.art<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2019<\/td>Collective<\/td>Esquele70: 70 anos de UERJ<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2019<\/td>Collective<\/td>Cole\u00e7\u00f5es no MuBE: Dulce e Jo\u00e3o Carlos de Figueiredo Ferraz<\/td>Museu Brasileiro da Escultura e Ecologia<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2019<\/td>Collective<\/td>Esqueleto: uma Hist\u00f3ria do Rio<\/td>Villa Aymor\u00e9<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td>Jacaranda<\/td>\n<\/tr>\n
2019<\/td>Collective<\/td>Alegria - A Natureza-morta nas Cole\u00e7\u00f5es<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2019<\/td>Collective<\/td>Estruturas Encontradas<\/td>Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2018<\/td>Individual<\/td>Seta Balan\u00e7o Janela<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2018<\/td>Individual<\/td>Fora\/Dentro<\/td>Museu da Rep\u00fablica<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2018<\/td>Individual<\/td>Boxer<\/td>Carbono Galeria<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2018<\/td>Collective<\/td>C\u00e1 Entre N\u00f3s<\/td>Villa Aymor\u00e9<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td>Jacaranda<\/td>\n<\/tr>\n
2018<\/td>Collective<\/td>Interfluxos: Colapso como Perspectiva<\/td>Villa Aymor\u00e9<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td>Jacaranda<\/td>\n<\/tr>\n
2018<\/td>Collective<\/td>Geometrica<\/td>Tristan Hoare Gallery<\/td>London<\/td>United Kingdom<\/td><\/td><\/td>\n<\/tr>\n
2018<\/td>Collective<\/td>Yoyo - Tudo o que vai, volta.<\/td>SESC Taubat\u00e9, SESC Belenzinho<\/td><\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Individual<\/td>In My Opinion<\/td>Plutschow Gallery<\/td>Z\u00fcrich<\/td>Schweiz<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>Pra L\u00e1<\/td>Escola de Comunica\u00e7\u00f5es e Artes da Universidade de S\u00e3o Paulo<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>Marina Monumental 2017 - Arte M\u00f3vel<\/td>Marina da Gl\u00f3ria<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>Ready Made in Brasil<\/td>Centro Cultural da Federa\u00e7\u00e3o das Ind\u00fastrias do Estado de S\u00e3o Paulo<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>Grid<\/td>Villa Aymor\u00e9<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td>Jacaranda<\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>Feito Poeira ao Vento - Fotografia na Cole\u00e7\u00e3o MAR<\/td>Museu de Arte do Rio<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>II Frestas - Trienal de Artes: Entre p\u00f3s-verdades e acontecimentos<\/td>SESC Sorocaba<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>A Pureza \u00e9 um Mito: O Monocrom\u00e1tico na Arte Contempor\u00e2nea<\/td>Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>Fronteiras, Limites, Interse\u00e7\u00f5es: entre a Arte e o Design<\/td>Caixa Cultural<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>Modos de Ver o Brasil: Ita\u00fa Cultural 30 Anos<\/td>Oca Ibirapuera<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>Well, It's Just an Ocean Between<\/td>TAL Galeria<\/td>Cascais<\/td>Portugal<\/td><\/td><\/td>\n<\/tr>\n
2017<\/td>Collective<\/td>100cm<\/td>Auroras<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Individual<\/td>Voc\u00ea Est\u00e1 Aqui<\/td>Museu Brasileiro da Escultura e Ecologia<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>A Cor do Brasil<\/td>Museu de Arte do Rio<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>Em Polvorosa<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>International Series: Contemporary Artists from Brazil<\/td>Turchin Center for the Visual Arts<\/td>Boone<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>O Corpo e a Obra de Arte<\/td>Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>Brasil, Beleza?! Contemporary Brazilian Scultpure<\/td>Museum Beelden aan Zee<\/td>Den Haag<\/td>Nederland<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>Mana Seven<\/td>Mana Contemporary Miami<\/td>Miami<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>Do Clube para a Pra\u00e7a<\/td>Villa Aymor\u00e9<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td>Jacaranda<\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>Cidade Jacaranda<\/td>Cidade das Artes<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2016<\/td>Collective<\/td>Cidade Jacaranda Pequenos Formatos: Dimens\u00f5es e Escala<\/td>Cidade das Artes<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2015<\/td>Individual<\/td>Su Casa<\/td>Gitler &_____<\/td>New York<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2015<\/td>Individual<\/td>Fenestra<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2015<\/td>Individual<\/td>Please Touch<\/td>Bronx Museum<\/td>New York<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2015<\/td>Art Intervention<\/td>Ocupa\u00e7\u00e3o Mau\u00e1<\/td>Pra\u00e7a Mau\u00e1<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2015<\/td>Collective<\/td>Bienal Tridimensional Internacional do Rio<\/td>Centro Cultural Parque das Ru\u00ednas<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2015<\/td>Collective<\/td>Universo<\/td>Carbono Galeria<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2015<\/td>Collective<\/td>Horizons<\/td>Plutschow Gallery<\/td>Z\u00fcrich<\/td>Schweiz<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Individual<\/td>MOTO<\/td>Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>Cidade Pol\u00edtica<\/td>Sala de Arte Santander<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>Vancouver Biennale<\/td>International Pavilion<\/td>Vancouver<\/td>Canada<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>Artistas Comprometidos? Talvez<\/td>Funda\u00e7\u00e3o Calouste Gulbenkian<\/td>Lisboa<\/td>Portugal<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>Tatu: Futebol, Adversidade e Cultura da Caatinga<\/td>Museu de Arte do Rio<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>All the Best Artists Are My Friends (Part 1)<\/td>Mana Contemporary Jersey City<\/td>New Jersey<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>One Shot!<\/td>Museu Brasileiro da Escultura e Ecologia<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>Maracan\u00e3<\/td>A Gentil Carioca<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>Pr\u00e1tica Port\u00e1til<\/td>Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2014<\/td>Collective<\/td>Encontro de Mundos<\/td>Museu de Arte do Rio<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Individual<\/td>Movimento Repouso<\/td>Roberto Alban Galeria de Arte<\/td>Salvador<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>O Abrigo e o Terreno: Arte e Sociedade no Brasil I<\/td>Museu de Arte do Rio<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>Gil 70<\/td>Palacete das Artes<\/td>Salvador<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>7\u00aa Bienal Internacional de S\u00e3o Tom\u00e9 e Pr\u00edncipe: RE-DESIGN | S\u00cdNTESE<\/td>Casa das Artes Cria\u00e7\u00e3o Ambiente Utopia<\/td>S\u00e3o Tom\u00e9<\/td>S\u00e3o Tom\u00e9 e Pr\u00edncipe<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>Miradas Insobornables: Im\u00e1genes en Presente Continuo<\/td>Centro de Arte Contempor\u00e1neo (Hotel de Inmigrantes)<\/td>Buenos Aires<\/td>Argentina<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>Sobre Corpos e Espelhos<\/td>Espa\u00e7o Cultural Contempor\u00e2neo<\/td>Bras\u00edlia<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>Cin\u00e9ticos e Construtivos<\/td>Carbono Galeria<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>Bola Na Rede<\/td>Galeria Fayga Ostrower<\/td>Bras\u00edlia<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>Aproxima\u00e7\u00f5es Contempor\u00e2neas<\/td>Roberto Alban Galeria de Arte<\/td>Salvador<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2013<\/td>Collective<\/td>Gil 70<\/td>Museu Nacional da Rep\u00fablica<\/td>Bras\u00edlia<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Individual<\/td>Tra\u00e7\u00e3o Animal<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Individual<\/td>Toque Devagar<\/td>Pra\u00e7a Tiradentes<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Individual<\/td>Processo<\/td>Est\u00fadio X<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Individual<\/td>Homenagem ao Cubo<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Collective<\/td>Art Public<\/td>Art Basel Miami Beach<\/td>Miami Beach<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Collective<\/td>Gil 70<\/td>Centro Cultural dos Correios<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Collective<\/td>Mostra Carioca<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Collective<\/td>From the Margin to the Edge<\/td>Somerset House<\/td>London<\/td>United Kingdom<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Collective<\/td>This is Brazil 1990 - 2012<\/td>Palexco<\/td>La Coru\u00f1a<\/td>Espa\u00f1a<\/td><\/td><\/td>\n<\/tr>\n
2012<\/td>Collective<\/td>Genealogias do Contempor\u00e2neo - Cole\u00e7\u00e3o Gilberto Chateaubriand<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2011<\/td>Collective<\/td>Travessias: Arte Contempor\u00e2nea na Mar\u00e9<\/td>Centro Cultural Bela Mar\u00e9<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2011<\/td>Collective<\/td>Jogos de Guerra<\/td>Caixa Cultural<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2011<\/td>Collective<\/td>Gigantes por la Propria Naturaleza<\/td>Institut Valenci\u00e0 d'Art Modern<\/td>Valencia<\/td>Espa\u00f1a<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Individual<\/td>Ch\u00e3o, Parede e Gente<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Individual<\/td>Cuidado Quente<\/td>Galeria Nara Roesler<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Individual<\/td>Balan\u00e7o Geral<\/td>Galeria Subterr\u00e2nea<\/td>Porto Alegre<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Law of the Jungle<\/td>Lehmann Maupin Gallery<\/td>New York<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Horizonte Constru\u00eddo: Fotografia e Arquitetura nas cole\u00e7\u00f5es do MAM<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Ponto de Equil\u00edbrio<\/td>Instituto Tomie Ohtake<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Arquivo Geral<\/td>Centro Cultural H\u00e9lio Oiticica<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Mostra Paralela 2010: A Contempla\u00e7\u00e3o do Mundo<\/td>Liceu de Artes e Of\u00edcios<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Futebol de Sal\u00e3o: A Coletiva<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>A M\u00e1quina de Abra\u00e7ar<\/td>SESC Pomp\u00e9ia<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Paisagem Incompleta<\/td>Pal\u00e1cio das Artes<\/td>Belo Horizonte<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Projetos (In)Provados<\/td>Caixa Cultural<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Liberdade \u00e9 pouco. O que desejo ainda n\u00e3o tem nome<\/td>Maria Ang\u00e9lica 678<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2010<\/td>Collective<\/td>Paisagem Incompleta<\/td>Centro Cultural Usiminas<\/td>Ipatinga<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2009<\/td>Collective<\/td>In Gomo<\/td>Ateli\u00ea Gomo<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2009<\/td>Collective<\/td>Experimentando Espa\u00e7os<\/td>Museu da Casa Brasileira<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2009<\/td>Collective<\/td>A M\u00e1quina de Abra\u00e7ar<\/td>Espa\u00e7o Tom Jobim<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2009<\/td>Collective<\/td>Arquivo Contempor\u00e2neo<\/td>Museu de Arte Contempor\u00e2nea de Niter\u00f3i<\/td>Niter\u00f3i<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2008<\/td>Collective<\/td>Container Art<\/td>Parque Villa Lobos<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2008<\/td>Collective<\/td>Arquivo Geral<\/td>Centro Cultural de Justi\u00e7a Eleitoral<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2008<\/td>Collective<\/td>Travessias Cariocas<\/td>Caixa Cultural<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2008<\/td>Collective<\/td>5\u00aa Bienal Internacional de S\u00e3o Tom\u00e9 e Pr\u00edncipe: Partilhar Territ\u00f3rios<\/td>Casa das Artes Cria\u00e7\u00e3o Ambiente Utopia<\/td>S\u00e3o Tom\u00e9<\/td>S\u00e3o Tom\u00e9 e Pr\u00edncipe<\/td><\/td><\/td>\n<\/tr>\n
2008<\/td>Collective<\/td>M\u00e3o Dupla, Movimento | Identidade<\/td>SESC Pinheiros<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2008<\/td>Collective<\/td>Parangol\u00e9: Fragmentos desde los 90 en Brasil<\/td>Museo de Arte Contempor\u00e1neo Espa\u00f1ol<\/td>Valladolid<\/td>Espa\u00f1a<\/td><\/td>Patio Herreriano<\/td>\n<\/tr>\n
2007<\/td>Individual<\/td>Fitografias<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2007<\/td>Individual<\/td>Mec\u00e2nico<\/td>3 + 1 Arte Contempor\u00e2nea<\/td>Lisboa<\/td>Portugal<\/td><\/td><\/td>\n<\/tr>\n
2007<\/td>Collective<\/td>Po\u00e9tia da Percep\u00e7\u00e3o<\/td>Espa\u00e7o Cultural Vivo<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2007<\/td>Collective<\/td>Arte como Of\u00edcio<\/td>SESC Rio (Teres\u00f3polis, Petr\u00f3polis e Nova Friburgo)<\/td><\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2007<\/td>Collective<\/td>Jogos Visuais<\/td>Caixa Cultural<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2007<\/td>Collective<\/td>80 - 90: Modernos, P\u00f3s Modernos etc<\/td>Instituto Tomie Ohtake<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2007<\/td>Collective<\/td>Ita\u00fa Contempor\u00e2neo: Arte no Brasil 1981 - 2006<\/td>Ita\u00fa Cultural<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2006<\/td>Individual<\/td>Luladepel\u00facia<\/td>Galeria Oeste<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2006<\/td>Collective<\/td>Arquivo Geral<\/td>Centro de Arte H\u00e9lio Oiticica<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2006<\/td>Collective<\/td>Dwell<\/td>Arizona State University Art Museum<\/td>Tempe<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2006<\/td>Collective<\/td>2\u00aa Bienal Internacional Cear\u00e1 de Gravura: Gravura Contempor\u00e2nea Brasileira<\/td>Museu de Arte Contempor\u00e2nea Drag\u00e3o do Mar<\/td>Fortaleza<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2006<\/td>Collective<\/td>Futebol \u00e9 Coisa de 11<\/td>Museu da Rep\u00fablica<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td>Galeria do Lago<\/td>\n<\/tr>\n
2006<\/td>Collective<\/td>\u00c9 HOJE na Arte Brasileira Contempor\u00e2nea: Cole\u00e7\u00e3o Gilberto Chateaubriand<\/td>Santander Cultural<\/td>Porto Alegre<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2005<\/td>Individual<\/td>Luladepel\u00facia<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2005<\/td>Art Intervention<\/td>Lulaeletr\u00f4nico<\/td>Galeria Vermelho<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td>Fachada da galeria<\/td>\n<\/tr>\n
2005<\/td>Collective<\/td>Raz\u00e3o e Sensibilidade (Encontro com Arte 1)<\/td><\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2005<\/td>Collective<\/td>Espace Urbain x Nature Intrinseque<\/td>Espace Topographie de l'Art<\/td>Paris<\/td>France<\/td><\/td><\/td>\n<\/tr>\n
2005<\/td>Collective<\/td>Nanoexposi\u00e7\u00e3o<\/td>Galeria Arte Em Dobro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2005<\/td>Collective<\/td>Rampa: Signaling New Latin American Art Initiatives<\/td>Arizona State University Art Museum<\/td>Tempe<\/td>USA<\/td><\/td><\/td>\n<\/tr>\n
2005<\/td>Collective<\/td>Arte Brasileira Hoje<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2004<\/td>Individual<\/td>drama.doc<\/td>Museu de Arte Contempor\u00e2nea de Niter\u00f3i<\/td>Niter\u00f3i<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2004<\/td>Individual<\/td>Entonces<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2004<\/td>Collective<\/td>Casa: Uma Po\u00e9tica do Espa\u00e7o na Arte Brasileira<\/td>Museu Vale do Rio Doce<\/td>Vila Velha<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2004<\/td>Collective<\/td>Urbanidades<\/td>Teatro Odiss\u00e9ia<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2004<\/td>Collective<\/td>Arte Contempor\u00e2nea: Uma Hist\u00f3ria em Aberto<\/td>Galp\u00e3o Roque Petroni<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2004<\/td>Collective<\/td>Arquivo Geral<\/td>Jardim Bot\u00e2nico<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2004<\/td>Collective<\/td>Heterodoxia<\/td>Memorial da Am\u00e9rica Latina<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2004<\/td>Collective<\/td>SP 450 Paris<\/td>Instituto Tomie Ohtake<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2003<\/td>Individual<\/td>Pequenas Fra\u00e7\u00f5es<\/td>LURIXS Arte Contempor\u00e2nea<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2003<\/td>Individual<\/td>Cego S\u00f3 Bengala<\/td>Centro Universit\u00e1rio Maria Ant\u00f4nia<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2003<\/td>Collective<\/td>Infantil<\/td>A Gentil Carioca<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2003<\/td>Collective<\/td>O Sal da Terra<\/td>Museu Vale do Rio Doce<\/td>Vila Velha<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2002<\/td>Individual<\/td>Port\u00e1til 98\/02<\/td>Gabinete de Arte Raquel Arnaud<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2002<\/td>Individual<\/td>Carga Viva<\/td>Celma Albuquerque Galeria de Arte<\/td>Belo Horizonte<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2002<\/td>Collective<\/td>Caminhos do Contempor\u00e2neo: 1952\/2002<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2002<\/td>Collective<\/td>Panorama da Arte Brasileira<\/td>Museu de Arte Moderna da Bahia<\/td>Salvador<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2002<\/td>Collective<\/td>Love's House<\/td>Hotel Love's House<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2002<\/td>Collective<\/td>A Cultura em Tempos de AIDS<\/td>Museu Nacional de Belas Artes<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2002<\/td>Collective<\/td>Panorama da Arte Brasileira<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Art Intervention<\/td>Artistas, v\u00eddeo-performance na 3\u00aa Bienal do Mercosul<\/td>Hospital Psiqui\u00e1trico S\u00e3o Pedro<\/td>Porto Alegre<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>A Imagem do Som de Ant\u00f4nio Carlos Jobim<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>Outra Coisa<\/td>Museu Vale do Rio Doce<\/td>Vila Velha<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>Panorama da Arte Brasileira<\/td>Museu de Arte Moderna de S\u00e3o Paulo<\/td>S\u00e3o Paulo<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>3\u00aa Bienal do Mercosul<\/td>Parque Maur\u00edcio Sirotsky Sobrinho<\/td>Porto Alegre<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>Orl\u00e2ndia<\/td><\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>Free Zone<\/td>Escola de Artes Visuais do Parque Lage<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>www.agora-capacete.com.br<\/td>Espa\u00e7o AGORA\/CAPACETE<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>A Imagem em Jogo<\/td>Espa\u00e7o Cultural Contempor\u00e2neo Ven\u00e2ncio<\/td>Bras\u00edlia<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2001<\/td>Collective<\/td>Mostra Brasil + 500<\/td>Museo de Arte Moderno de Buenos Aires<\/td>Buenos Aires<\/td>Argentina<\/td><\/td><\/td>\n<\/tr>\n
2000<\/td>Collective<\/td>A Imagem do Som de Gilberto Gil<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
2000<\/td>Collective<\/td>La Imagen del Sonido de Chico Buarque<\/td>Centro Cultural Borges<\/td>Buenos Aires<\/td>Argentina<\/td><\/td><\/td>\n<\/tr>\n
1999<\/td>Individual<\/td>Sint\u00e9tico<\/td>Fundi\u00e7\u00e3o Progresso<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td>AGORA<\/td>\n<\/tr>\n
1999<\/td>Art Intervention<\/td>Termas (Almanaque 99)<\/td>Museu de Arte Moderna do Rio de Janeiro<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1999<\/td>Collective<\/td>Os 90<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1999<\/td>Collective<\/td>A Imagem do Som de Chico Buarque<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1999<\/td>Collective<\/td>Ana Linnerman, Fernanda Gomes, Marcos Chaves e Raul Mour\u00e3o<\/td>Mercedes Viegas Escrit\u00f3rio de Arte<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1999<\/td>Collective<\/td>Fundi\u00e7\u00e3o Em Conserto<\/td>Fundi\u00e7\u00e3o Progresso<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1999<\/td>Collective<\/td>Retratos Falados<\/td>Centro Cultural Banco do Brasil<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1998<\/td>Collective<\/td>Mercoarte<\/td><\/td>Mar del Plata<\/td>Argentina<\/td><\/td><\/td>\n<\/tr>\n
1997<\/td>Art Intervention<\/td>Rua<\/td>Livraria Dantes<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1996<\/td>Individual<\/td>Galeria Ismael Nery<\/td>Centro de Arte Calouste Gulbenkian<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1996<\/td>Collective<\/td>Rio: Panorama<\/td>Centro Cultural Oduvaldo Vianna Filho<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td>\"Castelinho\"<\/td>\n<\/tr>\n
1996<\/td>Collective<\/td>Esculturas no Pa\u00e7o<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1996<\/td>Collective<\/td>Amigos do Calouste<\/td>Centro de Arte Calouste Gulbenkian<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1995<\/td>Collective<\/td>4 Quadros<\/td>Centro Cultural Candido Mendes<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1994<\/td>Collective<\/td>Escultura Carioca<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1994<\/td>Collective<\/td>Mat\u00e9ria e Forma<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1994<\/td>Collective<\/td>Novos Noventa<\/td>Pa\u00e7o Imperial<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1994<\/td>Collective<\/td>Preto no Branco e\/ou...<\/td>Escola de Artes Visuais do Parque Lage<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1993<\/td>Individual<\/td>Humano<\/td>Espa\u00e7o Cultural S\u00e9rgio Porto<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1993<\/td>Collective<\/td>17\u00ba Sal\u00e3o Carioca de Arte<\/td>Escola de Artes Visuais do Parque Lage<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1993<\/td>Collective<\/td>11 Pontos no Espa\u00e7o P\u00fablico<\/td>Museu da Rep\u00fablica<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1993<\/td>Collective<\/td>Tatiana Grinberg e Raul Mour\u00e3o<\/td>Museu Guido Viaro<\/td>Curitiba<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1993<\/td>Collective<\/td>Desenhos<\/td>Galeria Sergio Millet (Instituto Brasileiro de Arte e Cultura)<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1992<\/td>Collective<\/td><\/td>Atelier Vila Isabel<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1992<\/td>Collective<\/td><\/td>Galeria de Arte da Universidade Federal Fluminense<\/td>Niter\u00f3i<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n
1991<\/td>Collective<\/td>15\u00ba Sal\u00e3o Carioca de Arte<\/td>Escola de Artes Visuais do Parque Lage<\/td>Rio de Janeiro<\/td>Brasil<\/td><\/td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":2401,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","inline_featured_image":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2753","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"Raul Mour\u00e3o","author_link":"https:\/\/www.raulmourao.com\/en\/author\/raulview\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages\/2753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/comments?post=2753"}],"version-history":[{"count":10,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages\/2753\/revisions"}],"predecessor-version":[{"id":2833,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages\/2753\/revisions\/2833"}],"up":[{"embeddable":true,"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/pages\/2401"}],"wp:attachment":[{"href":"https:\/\/www.raulmourao.com\/en\/wp-json\/wp\/v2\/media?parent=2753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}